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Cockney Sportsmen, London, 1800. Artist: James Gillray
 
'A thoroughbred November and London particular', 1827. Artist: George Hunt
 
'French frippery and impertinence!! Que les Anglaises sont Betes', 1827. Artist: Edwin Flood
 
'A scene in Kensington Gardens - or - fashion and frights of 1829'. Artist: George Cruikshank
 
Caricature of Sir John Key, c1830. Artist: Anon
 
An eighteenth-century dandy in Ranelagh Gardens, London, 1772. Artist: Anon
 
'A slap at the Charleys or a Tom & Jerry lark, vide New Poliece Bill', 1829 Creator: William Heath.
 
'Bow Street, the pick-pockets examined', London, 1830.   Artist: LB
 
'Results of the northern excursion', 1822. Artist: George Cruikshank
 
'The new man after God's own heart', 1791. Artist: Anon
 
'The Corporation hog's journey to Smithfield in stile or aldermen turned pig show men., 1790. Artist: Isaac Cruikshank
 
'The Saveall, or Economy', 1828. Creator: William Heath.
 
'Best Mode of Going to Bartholomew Fair', c1825. Artist: Theodore Lane
 
'The Protestant's Champion!!', 1825. Artist: Isaac Robert Cruikshank
 
'A Well-Fed Citizen going to his Country Seat at Hornsey', 1773. Artist: Anon
 
'A Member of the Corporation preparing for a City feast', 1789. Artist: Anon
 
'A City Hunt, or Preparations for Lord-Mayor's Day!!!', c1790. Artist: Anon
 
'The Monster broke loose or, a peep into the Shakespeare-Gallery', 1791. Artist: Anon
 
'Fishing for Flats or a Drag from the Stock Exchange', 1806. Artist: Anon
 
'Anacreontick's in full Song', 1801. Artist: James Gillray
 
'The Atlas of the Landed Interest', 1784. Artist: Anon
 
'The Westminster canvass', 1784. Artist: William Dent
 
'The Minister endeavouring to eke out Dr Pr-ty---n's Bisho-prick', 1787. Artist: James Gillray
 
'Pillars of the Constitution: Three o'Clock and a Cloudy Morning', 1809. Artist: Anon
 
'It's most hinfamous to let these here steamers out on a Sunday...', 1834. Artist: Anon
 
'The City Churches in Danger', 1834. Artist: Anon
 
'The Aeriel Ship, or Munchausen Improved!', 1835. Artist: Anon
 
'An Emblem of Wisdom Made of Wood', 1820. Artist: Anon
 
'One of the Advantages of Oil over Gas', 1821. Artist: Richard Dighton
 
'Passing a Mud Cart', 1821. Artist: Richard Dighton
 
'The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians', 1821. Artist: George Cruikshank
 
'The Q-n's Ass in a Band-box', 1821. Artist: Anon
 
'A Wooden Substitute, or Any Port in a Storm', 1821. Creator: Anon.
 
'Brougham and the Civic Giants', 1848. Artist: Anon
 
'The Doom of all Papers that Slander Bethnal Green', 1872. Artist: Anon
 
'Just A'goin' to Begin!', 1887. Artist: Tom Merry
 
'Political Chess', 1887. Artist: Tom Merry
 
'Brothers in law! or the finishing flourish of a City officer!!', 1827. Artist: Anon
 
'Cross Readings', c1830. Artist: ES Hall
 
'The great general frightened by Don-Key', 1830. Artist: Henry Heath
 
'Fatal effects of gluttony, a Lord Mayor's Day night mare', 1830. Artist: Anon
 
'Hurrah for the bonnets so big!!', Temple Bar, London, 1828. Artist: Anon
 
'An appropriate emblem for the triumphal arch of the new (Buckingham) palace ..., London, 1829. Artist: SW Fores
 
'The stage-coach, or the country inn yard', 1747. Artist: William Hogarth
 
'The lady's disaster', 1747. Artist: John June
 
Siege at the Tower of London, 1830. Artist: Anon
 
'The idle 'prentice returned from sea..., plate VII of Industry and Idleness 1833. Artist: S Davenport
 
'The sailor's adventure to the streights of Merryland or, an evening view on Ludgate Hill', 1749. Artist: John June
 
'The giant-factotum amusing himself' - William Pitt, 1797. Artist: James Gillray
 
Napoleon on a plate ready to be carved, 1814. Artist: Anon
 
Old Hats Tavern, (Uxbridge, Middlesex?), 1796. Artist: Isaac Cruikshank
 
'The deaf judge, or mutual misunderstanding', Old Bailey, London, 1796. Artist: Isaac Cruikshank
 
Alderman Sir Matthew Wood and King George IV. Artist: Anon
 
Exhibition at the Royal Horticultural Society, London, 1826. Artist: George Cruikshank
 
Purity of the River Thames, 1832. Artist: George Cruikshank
 
'Marriage a la mode', 1745; plate I. Artist: Gérard Jean-Baptiste Scotin
 
'Marriage a la Mode', 1745; plate II. Artist: Bernard Baron
 
'Marriage a la Mode', 1745; plate III. Artist: Bernard Baron
 
'Marriage a la Mode', 1745; plate IV. Artist: Simon François Ravenet
 
'Her funerall properly attended', plate VI of The Harlot's Progress, 1732. Artist: William Hogarth
 
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